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Roseberry called his second couture collection the sequel, and it was built on Elsa Schiaparelli’s two lives: the practical woman at work in her studio by day and the hostess of wild Surrealist parties by night. He kept the two extremes and removed everything in the middle.
The day clothes were the surprise. With more time in the ateliers, the tailoring got much stronger. A navy trouser suit had a collar that turned into a rush of organza, like a head in the clouds. A boxy tan jacket was embroidered to continue the model’s chandelier earrings, and a lean coat exploded with the Sun King embroidery across the back. The palette of oak, parchment, navy and cigar brown came from Jean-Michel Frank, and the bone jewellery from Giacometti and from Elsa’s own skeleton dress.
Then came the night, in ultramarine, scarlet, green and of course Shocking Pink, with big 1980s couture volume. The swimsuit-back dresses with fake tan lines, inspired by old Sports Illustrated covers, were the weakest idea here. But the padlocks, irises and tape measures were charming touches, and the direction was clear. This is a designer getting more convincing with every season.



































Pictures courtesy of Vogue Runway
We do not own the rights to any of these images and they have been used in good faith. Every effort has been made to ensure that all images are used with proper credits. If you are the rightful owner of any image used on our site and wish to have it removed, please contact us at ayerhsmagazine@gmail.com and we will promptly remove it. We are a non-commercial, passion-driven, independent fashion blog and do not intend to infringe any copyright. Thank you for your understanding.






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