Beauty is a Painting: Valentino Couture Fall 2021

We do not own the rights to any of these images and they have been used in good faith. Every effort has been made to ensure that all images are used with proper credits. If you are the rightful owner of any image used on our site and wish to have it removed, please contact us at ayerhsmagazine@gmail.com and we will promptly remove it. We are a non-commercial, passion-driven, independent fashion blog and do not intend to infringe any copyright. Thank you for your understanding.  

by brownfashionagal

“Fashion is not ‘art’, because the latter is sufficient in itself while the former always has a purpose, a function, a use.”

Set at the Gaggiandre of Venice, Pierpaolo Piccioli blessed us with Drama, Glamour and emotion. The sheer sight of vivid colorful gowns walking through sun-hazed Venice was something out of a painting. PPP understands what people expect out of Haute Couture, He serves us a fantasy most of us can only experience via endless Instagram scrolling sessions. PPP tapped into his strengths and gave us a strong Couture season finale. There wasn’t much to dislike considering it was the epitome of conventional Haute Couture.

 “Painting is to art as haute couture is to fashion, being both languages eternal and material,” read the show notes. The collection was made in collaboration with 17 painters ; Joel S. Allen, Anastasia Bay, Benni Bosetto, Katrin Bremermann, Guglielmo Castelli, Maurizio Cilli, Danilo Correale, Luca Coser, Jamie Nares, Francis Offman, Andrea Respino, Wu Rui, Sofia Silva, Alessandro Teoldi, Patricia Treib, Malte Zenses.

The tailoring undoubtedly was magnificent and was highlighted in the Couture daywear looks. Tiny cocktail dresses, crinoline ball gowns, elegant coats, and romantic dresses were some constant silhouettes created with dreamy fabrics and amorous colors. Floating Jellyfish like ostrich feather hats by Philip Treacy were a fantastic highlight. Among stunning ballgowns and dramatic capes and it was the remarkable simplicity of the Menswear that truly shone. The genius layering of brilliant colors resulted in ultra-sophisticated looks. The craftmanship in this show was truly astonishing; The closing look was created with motifs drawn from Jamie Nares’s It’s Raining in Naples, 2003 and Blues in Red, 2004 was created with 700 hours of work, 107 meters of fabric and custom hand-printing screens.

While a lot of elements were elevated from his previous collection there was a certain freshness and a sense of exploration reflecting his Valentino journey. In the end, Beauty is Valentino.

Pictures courtesy of Vogue Runway

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We do not own the rights to any of these images and they have been used in good faith. Every effort has been made to ensure that all images are used with proper credits. If you are the rightful owner of any image used on our site and wish to have it removed, please contact us at ayerhsmagazine@gmail.com and we will promptly remove it. We are a non-commercial, passion-driven, independent fashion blog and do not intend to infringe any copyright. Thank you for your understanding.