Max Mara Does Medieval but Makes It Chic | Max Mara Fall 2026 – Milan Fashion Week

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by brownfashionagal

Max Mara felt exactly like what the brand does best. Classic, confident, and built to last. Ian Griffiths looked to medieval history this season, specifically the powerful Italian noblewoman Matilde di Canossa and the artifacts of the so called Dark Ages. But the reference never felt heavy or costume-like. Instead, it was translated into something quietly strong and very Max Mara.

The medieval influence appeared in robe-like coats, tunics, and long silhouettes that had a slightly austere mood. Suede pieces in armor-like gray came studded with metal rivets, while tall suede boots rose above the knee like modern versions of protective armor. There were cloaks, mantles, and tabards, but they were rendered in plush cashmere, soft teddy fabrics, and smooth suede. The materials kept everything grounded in the house’s signature luxury.

Still, nothing felt overly dramatic. Even at its roughest, this is probably as rugged as Max Mara gets. And honestly, that restraint is part of the appeal. A long camel cashmere cloak with suede shoulder panels looked quietly powerful, while collarless teddy coats fastened with leather straps added a subtle historical nod without losing modern wearability.

The familiar Max Mara icons were also present. Variations of the classic 101801 coat appeared alongside sharp double-breasted tailoring, trucker jackets, and fitted knit dresses with a hint of Lurex. These are the kinds of pieces that slip easily into a wardrobe and stay there for years.

There was a sense of soft power throughout the collection. Strong shoulders, enveloping coats, and grounded boots created silhouettes that felt composed rather than aggressive. It was all very chic in that effortless Max Mara way.