Emilia Wickstead Explores Androgyny and Identity | Emilia Wickstead Fall 2026 – London Fashion Week

We do not own the rights to any of these images and they have been used in good faith. Every effort has been made to ensure that all images are used with proper credits. If you are the rightful owner of any image used on our site and wish to have it removed, please contact us at ayerhsmagazine@gmail.com and we will promptly remove it. We are a non-commercial, passion-driven, independent fashion blog and do not intend to infringe any copyright. Thank you for your understanding.

by brownfashionagal

Emilia Wickstead collection felt very much like a Wickstead show, though this time with a slightly different energy. The designer looked to the story of Fano Messan, the French sculptor, actress, and cultural figure from 1920s Paris who famously disguised herself as a man in order to study sculpture. That history of moving between masculine and feminine identities clearly shaped the collection’s direction.

Androgyny sat at the center of the lineup. Tailoring leaned relaxed and slightly oversized, with broad shoulders, wide leg trousers, and coats cut in menswear checks and textured tweeds. Some looks paired soft sweaters with loose shirts or denim tops, giving the outfits an almost academic, bookish mood. The styling, including simple flat shoes and clean hair, reinforced that understated, artist-like attitude.

While the concept made sense, the collection might not be everyone’s favorite version of Wickstead. The brand is often associated with a very polished kind of femininity, and here that element felt more restrained. The shift toward a more androgynous wardrobe was interesting, but it also meant some of the softness people usually expect from Wickstead was missing.

Still, when the designer leaned back into her strengths, the results were strong. The tailored coats stood out immediately. Precise and elegant, they carried that quiet confidence Wickstead does so well. The eveningwear was another highlight. A dramatic black gown with a full skirt felt timeless and sculptural, while a silver gown with a cape-like neckline had a striking presence without feeling overly theatrical.