Richard Quinn delivers a modern opera of cinematic gorgeous gowns | Richard Quinn Spring 2026 – London Fashion Week

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by brownfashionagal

The gowns themselves were the stuff of dreams. These are dresses you could run across cobblestones in at the end of a rom-com, chasing love, or simply stand still in and let the world orbit around you. Quinn’s silhouettes leaned into 1950s couture shapes—corseted bodices, bell skirts, sweeping trains—yet his color choices made them cinematic. From fiery reds to soft pistachio greens, each look shimmered with life.

What I loved most is that Quinn seems to be the only one still championing this kind of unabashedly pretty, feminine gown and doing it right. They aren’t stuffy or overly nostalgic; they’re playful, fantastical, and deeply flattering. Honestly, every woman could look good in one of his creations, and that feels like a real win. The setting—an antique concert hall filled with soaring hydrangeas, chandeliers, and a live orchestra.

Of course, Quinn isn’t chasing reinvention every season. His formula is clear—big gowns, bold embellishment, romantic flourishes—but the consistency is part of the magic.