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Quinn once again drew inspiration from midcentury fashion, reinterpreting classic silhouettes from the ’40s and ’50s while adding a touch of ’80s flair. The collection featured sweeping floral gowns, dramatic sleeves, and voluminous skirts, all adorned with intricate beading and embroidery. Quinn’s signature use of floral prints and appliqués added a sculptural quality to many pieces, elevating the designs to wearable works of art. His attention to detail was evident throughout, with delicate fabrics like silk and tulle contrasted against heavier materials such as leather and vinyl. The show also included bridal looks, offering a range of designs from traditional long silhouettes to bold, modern alternatives.The show also featured a stunning array of bridal gowns, showcasing Quinn’s ability to create pieces that are both romantic yet empowering. While his designs are rooted in traditional elegance, Quinn’s ability to push boundaries and experiment with shape, texture, and color keeps his collections fresh and exciting. Despite the slight lack of cohesion, Quinn’s maximalism often lures me in.












































Pictures courtesy of Vogue Runway
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We do not own the rights to any of these images and they have been used in good faith. Every effort has been made to ensure that all images are used with proper credits. If you are the rightful owner of any image used on our site and wish to have it removed, please contact us at ayerhsmagazine@gmail.com and we will promptly remove it. We are a non-commercial, passion-driven, independent fashion blog and do not intend to infringe any copyright. Thank you for your understanding.

