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Quinn reimaged British florals through a 1950s-60s haute couture lens. Oversized coats, like rose-embroidered fortresses, sheltered models beneath wide-brimmed hats, while latex, Quinn’s signature “armor,” snaked through vibrant blooms, blurring the lines between fragility and power.
Latex and gimp wove their way through vibrant roses and lilies, conjuring a sense of bondage and Victorian-era conservatory intrigue. But alongside the fetishistic edge, Quinn indulged in pure Parisian haute couture fantasy. Think sweeping gowns adorned with feathers, delicate ruffles, Balenciaga-like shapes and dramatic hats add delicious theatrics.
Pictures courtesy of Nowfashion
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We do not own the rights to any of these images and they have been used in good faith. Every effort has been made to ensure that all images are used with proper credits. If you are the rightful owner of any image used on our site and wish to have it removed, please contact us at ayerhsmagazine@gmail.com and we will promptly remove it. We are a non-commercial, passion-driven, independent fashion blog and do not intend to infringe any copyright. Thank you for your understanding.
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